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My art explores vision, and light, and how perception shapes our notion of reality.  Our raw sensory input would be unintelligible if accessed directly.  Higher level processing is required, and it is usually but not always reliable. There is often more than one way to view objects.  Encountering ambiguity or paradox in art can be intriguing, disturbing, and uncanny.  Such experiences put us directly in touch with the constructed nature of what we see as "real."


I am further inspired by the intricacy of the natural forms within and around us.  Across broad differences in scale and material, simple repetitive units form complex, often networked, and even biological structures and processes.


I am an abstractionist and primarily a painter, but I like devising alternative processes.  While I am not a photographer, I do use it in a multi-step practice based upon views looking through transparent models of each of the five Platonic solids.  The geometric objects I use have a particular resonance with me as they were thought by some ancient philosophers to be essential basic structures from which everything else is built.  

One objective I have in this practice is to elicit the experience of seeing through these clear solids rather than to depict their appearance. They are therefore created on shaped lustrous supports. I also build these into actual 3D objects, which attain a higher order of intricacy.  I aim for an other-worldly feel enhanced by tensions between planarity and spatiality, and between abstraction and representation.

I also compose hand woven drawings of painted, but otherwise ordinary string, cord or rope.  The underlying structure of these consists of grids, but the final design is free-form, comprised of oblique or curved elements.  Over the past several years, I have been merging my string drawings with my photography-based practice, producing more complex visual experiences.  


I hope you find my work to be both visually rewarding and conceptually intriguing.


As a student, Laurence took several studio art courses which galvanized his lifelong passion for making art.   Following a long career as a physician and scientist, he committed to shifting his focus to art full-time around 2014.  Hi pursued this interest as a student at California Institute of the Arts, in San Francisco, and earned an MFA in 2018. 

While never intending to reference his prior occupation, Laurence's sense of beauty has been influenced by looking at cells and tissues through microscopes, and at technical information presented as inventive and visually striking diagrams.  Personal themes in Elias’ work are noticeable, as expressive, organic patterns emerge from ordered geometric starting points. More importantly, Laurence intends his art to evoke magical, transporting, or uncanny states of mind. 


Born in Brooklyn, NY; Currently resides and works in Berkeley, CA.



  • California College of the Arts,  M.F.A., 2018 

  • Post-Baccalaureate Certificate in Visual Arts, UC Berkeley

Extension, San Francisco, 2016 

  • Art Coursework and Workshops (1966-2016):  

    • U.C. Berkeley Extension

    • Stanford University 

    • Kala Institute (Berkeley)

    • University of New Mexico 

    • Harwood Foundation (Albuquerque NM)  

    • Princeton University

  • Stanford University, M.D., 1972 

  • Princeton University, A.B., 1967





  • Reflect/Spirit/Light at Sebastopol Center for the Arts, Sebastopol, CA


Group Shows, Juried or Curated:


  • Blessed Unrest at Gallery Route One, Point Reyes Station, CA. Juried by Jack Fischer of Jack Fischer Gallery, San Francisco


  • Crossing The Divide, at Gallery Route One, Point Reyes Station, CA, Juried by Donna Seager of Seager Gray Gallery, Mill Valley, CA


  • Fragments at ARC Gallery, San Francisco, Juried by Jan Tough, Jan Tough Gallery, Santa Fe

  • Out of the Box, Healdsburg Center for the Arts, Healdsburg, CA

  • California Open, 15th Annual National Competition, TAG Gallery, Los Angeles, CA Juried by Kate Mothes, Curator of Young Space, and Dovetail Magazine

  • Some Speechless Thing (Part II of Annual Members Show) at Berkeley Art Center, Berkeley, CA, Selected from Part I open submissions by Griff Williams, Gallery 16, San Francisco 


  • The Naked Print at Rhode Island Center for Photographic Arts, Providence, RI, Juried by Stephen Fisher, Professor, Art Department, Rhode Island College, Providence

  • Art + Movement at Gearbox Gallery, Oakland, CA, Juried by Maria Porges, Artist, Writer, Faculty member, California College of the Arts, San Francisco


  • Caught in the Fray, 14th Annual Textiles Exhibition, at College Street Gallery, Oakland, CA, Curated by Josh Faught, California College of the Arts

  • CCA MFA Show at Minnesota Street Project, San Francisco, CA

  • Wave-Forms at Embark Gallery, Oakland, CA, Juried by Leila Grothe, Assoc Curator, Wattis Institute, San Francisco and Baltimore Museum of Art


  • Making Thinking at Hubble Street Gallery, San Francisco, Curated by Shaun O’Dell, California College of the Arts 

  • 5th Annual Juried Art Show at the Piedmont Center for the Art Piedmont, CA


  • Krowsworkers/FARM at Krowswork Gallery, Oakland CA, Curated by Jasmine Moorhead


  • Drawn to Line at UCBX Gallery, San Francisco, CA

  • Collect! at Berkeley Art Center, Berkeley, CA


  • Studio Visit (a print periodical) Vol.48, pp 62-65 (2021)  

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